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Mork calling Orson
Mork gives his weekly report to Orson about bad workmanship. He explains to Orson the value of a job well done
Orson's Farm Quickie / US Acres Quickie
This is an example of why syndication is usually a bad thing. The Garfield and Friends syndicated episodes DO NOT contain most of the US Acres (also known as Orson's Farm) quickies, so this one has not been seen since the original CBS broadcasts many years ago. I left in the last few seconds of the last Garfield episode for reference purposes. These are COMPLETELY INTACT on the DVD box sets!!
Orson Welles - Frozen Peas
A recording of the infamous frozen peas commercial involving Orson Welles. Struggling to fathom the copy he's being directed to read, he loses his patience and finally walks out. (Please check out my buddy Sean's music: www.youtube.com
Orson Welles - War Of The Worlds - Radio Broadcast 1938 - Complete Broadcast.
Orson Welles - War Of The Worlds - Radio Broadcast 1938 - Complete Broadcast. The War of the Worlds was an episode of the American radio drama anthology series Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938 and aired over the Columbia Broadcasting System radio network. Directed and narrated by Orson Welles, the episode was an adaptation of HG Wells' novel The War of the Worlds. The first two thirds of the 60-minute broadcast were presented as a series of simulated "news bulletins", which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a 'sustaining show' (it ran without commercial breaks), thus adding to the program's quality of realism. Although there were sensationalist accounts in the press about a supposed panic in response to the broadcast, the precise extent of listener response has been debated. In the days following the adaptation, however, there was widespread outrage. The program's news-bulletin format was decried as cruelly deceptive by some newspapers and public figures, leading to an outcry against the perpetrators of the broadcast, but the episode secured Orson Welles' fame.
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Orson Welles on Cold Reading
Orson Welles discusses the nature of 'cold reading', a type of analysis used by many phony psychics and fortune tellers to trick their customers into thinking they indeed do have special powers, and how some can become so skilled at it that they actually trick themselves into believing they are truly psychic.
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Orson Welles in The Critic
Just put together some clips of how Maurice LaMarche portrays Orson Welles in this highly underrated show.
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Orson Welles as Clarence Darrow in Compulsion
Welles delivers a stirring plea for the lives of Leopold and Loeb in the climax of the 1959 film Compulsion. The final summation is taken directly from the transcript of the real trial. As good an oration against the death penalty as you'll ever hear.
Compulsion 1959 Orson Welles Leopold and Loeb Courtroom drama Death Penalty Dean Stockwell Darrow
Orson Welles Battle Hymn of the Republic
Orson Welles introduces the historical creation of the Battle Hymn of the Republic
Orson Welles ... Birds Eye (Findus) frozen peas radio commercial
Orson Welles ... Birds Eye Frozen Peas Radio Commercial. A classic 'behind the scenes' take of Orson as he attempt to read what he considers to be a very badly written radio ad. He gives the creative team a pretty hard time over their use of grammar and what should or shouldn't be seen on screen. Orson only did this type of work to earn money for the projects he really wanted to do ... and I think that his frustration was coming out here.
Orson Welles radio ad commercial Birds Eye frozen peas funny
Me and Orson Welles
High-schooler Richard Samuels lucks into a role in a daring Broadway production of Julius Caesar. Cues, staging, rehearsals, romance, rivalries: he has a lot to learn. And the first thing to learn is never upstage Mercury Theatre's genius director, 22-year-old Orson Welles. Zac Efron wins hearts and applause as Richard, the Me of this celebratory curtain call for when dreams -- and the theater -- were big. Christian McKay offers an uncanny Welles, the imposing, impetuous center of Richard's exciting new universe. Claire Danes is the enterprising stage assistant drawn into both men's lives. And Richard Linklater (Before Sunset, The School of Rock) directs with the vibrant spirit of those for whom all the world is a stage. Bravo! MPAA Rating: PG-13 For sexual references and smoking. © 2009 CinemaNX Films One Limited. © 2010 Warner Bros. Entertainment Inc. All rights reserved.
Me and Orson Welles Ben Chaplin Claire Danes Zac Efron Zoe Kazan Eddie Marsan Kelly Reilly James Tupper Richard Linklater
Orson Welles Drunk Outtakes for Paul Masson Wine Commercial
Here's outtakes of Orson Welles, director of Citizen Kane, drunk as he films a commercial for Paul Masson Wine. Get the full story at pursuitist.com
Orson Welles - The Trial (Intro Story)
"Before the law, there stands a guard. A man comes from the country, begging admittance to the law. But the guard cannot admit him. Can he hope to enter at a later time? "That is possible," says the guard. The man tries to peer through the entrance. He had been taught that the law should be accessible to every man. "Do not attempt to enter without my permission," says the guard. "I am very powerful. Yet I am the least of all the guards. From hall to hall, door after door, each guard is more powerful than the last." By the guard's permission, the man sits down by the side of the door, and there he waits. For years, he waits. Everything he has, he gives away in the hope of bribing the guard, who never fails to say to him, "I take what you give me only so that you will not feel that you have left something undone." Keeping his watch during the long years, the man has learned to know even the fleas in the guard's fur collar. The man growing childish in old age, he begs the very fleas to persuade the guard to change his mind and allow him to enter. His sight has dimmed, but in the darkness he perceives a radiance streaming immortally from the door of the law. And now, before he dies, all he's experienced condenses into one question, a question he's never asked. He beckons to the guard. Says the guard, "You are insatiable! What is it now?" Says the man, "Every man strives to attain the law. How is it then that in all these years, no one else has ever come here, seeking <b>...</b>
Orson - Already Over
Orson's "Already Over" Do you like this song? Visit my music blog at www.anonymousartisan.com. There's plenty more where this came from...
Orson Welles Terrorizes Jim Henson and Frank Oz
Things take an unpleasant turn at the end of Orson Welles' interview with Jim Henson and Frank Oz... and stay tuned for Miss Angie Dickinson. ((more info)) Follow: twitter.com Many thanks to Kevin MacLeod for the use of his music and to the old Late Night show as well. And thanks to g4's Attack of the Show for making this their #1 video Around the Net for 4/13/2011.
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ALL of Orson Welles in "The Third Man" - '49 - HQ
This is ALL the footage of Awesome Orson (apart from the chase round the sewers at the end - and half of that used doubles) in the film. His total on-screen time is less than ten minutes. And yet it is a measure of the man that if you ask any film-fan who starred in The Third Man, almost all will answer "Orson Welles" - despite the fact that during its one hundred and four minutes (97 in the US version) Joseph Cotten was in nearly every shot! Shame!!! Oh and anecdotally, this uploader has RIDDEN that big wheel. Four were made, for assorted expositions, but only the Vienna one survives. It took heavy damage during WW2, but since it was to the Viennese what the Eiffel Tower is to Parisians - it was restored. You get a great view from the top. [two footnotes (if you've reached this far!): Orson improvised the "cuckoo-clock" tag - Graham Greene was on set and approved it. In fact, he said he wished HE'D thought of it! And notice Mr Welles' trademark Overlapping Dialogue, Rare in those days - and even now.]
Chimes At Midnight (Orson Welles) Part 1
Chimes at Midnight (aka Falstaff) is a 1965 film directed by Orson Welles based around the character of Sir John Falstaff in Shakespeare. The script contains text from five Shakespeare plays: primarily Henry IV, Part 1 and Henry IV, Part 2, but also Richard II, Henry V, and The Merry Wives of Windsor. The film's narration, spoken by Ralph Richardson, is taken from the chronicler Holinshed. The film was nominated (in 1968) for a BAFTA film award for Welles as Best Foreign Actor. At the Cannes Film Festival Welles was nominated (in 1966) for the Golden Palm Award and won the 20th Anniversary Prize and the Technical Grand Prize. In Spain it won (in 1966) the Citizens Writers Circle Award for Best Film. Welles held this film in high regard and considered it along with The Trial his best work, he said in 1982 "If I wanted to get into heaven on the basis of one movie, that's the one I'd offer up". Many critics, including Peter Bogdanovich and Jonathan Rosenbaum, also consider it Welles's finest work. The scene depicting the Battle of Shrewsbury has been particularly admired, serving as an inspiration for movies like Braveheart and Saving Private Ryan. Due to complications concerning the film's ownership, Chimes at Midnight remains unavailable in the United States. It is most readily available as an import DVD from Brazil.
The Best Ventriloquist - Dan Horn & Orson- 1988
Dan Horn - Has many character's- This is an older version 1988 of his favorite, Orson. He is One of the very Best Ventriloquist in the World- This shows this remarkable Comedian Ventriloquist Talent- welcome to joelsamuelpresents and tell a friend. Tell your friends if you enjoy my type of programming. Check out my second channel bscactus for different documentaries. BTW- the audience loved him, but it was not mixed properly- Murphys law Welcome to my show! joelsamuelpresents
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War Of The Worlds radio spoof by Orson Wells
Orson Wells terrified all of America in 1938 with his Halloween radio play of War Of The Worlds. Even though he was well known for his radio theatre, people thought it was real and it caused national panic. They were already nervous with war about to break out. What convinced them was the way it was broadcast like a news report. Orson Wells was all innocent at the time, but 20 years later he admitted it actually was done to scare people, because he didn't like the fact that people believed everything that came out of this 'new magic box' called the radio.
Orson Welles on the Basque Country - Part 1 of 6
In 1955 the BBC asked Orson Welles to complete a quaint series of documentaries which were labeled "Around the World with Orson Welles. This is an extract from one of the programmes on France, and although being mainly focused on the northern side of the Pyrenees it makes for a fascinating watch for any Euskalover. Sare, Ascain, Ciboure, Dancharia, SJDL, Toro del Fuego, it's all there. Some may even recognise some much younger familiar faces at school's out in Ciboure, or the estudiantina on its way to Socoa. Enjoy!
Orson Wells VS Pinky & The Brain
Audio synch of Orson Well's "Every July, Peas Grow There" with the episode "Yes Always" from Pinky & The Brain.
Orson - No Tomorrow
Let's go to a rave and behave like we're tripping simply 'cause we're so in love funny hat shiny pants all we need for some romance go get dolled up and I'll pick you up there's no line for you and me cuz tonight we're vip I know somebody at the door I see that twinkle in your eye you shake your ass and I just die let's check our coats and move out to the floor when I'm dancing with you tomorrow doesn't matter turn the music up til the windows start to shatter cuz you're the only one who can get me on my feet and I can't even dance look at me silly me I'm as happy as could be I have a girl who thinks I rock and tomorrow there's no school so let's go drink some more red bull and not get home til about 6 o clock when I'm dancing with you tomorrow doesn't matter turn the music up til the windows start to shatter cuz you're the only one who can get me on my feet and I can't even dance everybody here is staring at the outfit that you're wearing love it when they check you out cover's only 20 bucks and even if the dj sucks it's time to turn this mother out when we're together when we're together there's no tomorrow there's no tomorrow there's no one in the world but you and me just you and me you and me
