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www.myhollywoodstar.com The Shure SM57 is known as one of the most rugged and reliable microphones ever invented. It probably is used by more professional musicians and recording studios than any other mic. It is excellent for background vocals. The singer should keep the mic 3 to 12 inches from the lips when singing. The SM57 is great for using as a microphone for almost any musical instrument. It does not have an on off switch. There is a sister mic to the SM57 which is the Shure SM58 which is considered better for use as a lead vocal microphone. It is the same price. Be on the lookout for fake lookalike copies of microphones which are not actual Shure mics. There are YouTube videos which show you how to tell the difference between real and fake Shure mics.
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thetoneking.com Check out a Shure SM57 vs. Sennheiser e609 Mic Shoot-Out. LET YOUR EARS DECIDE which one you like best. Then, click the link to see which is which. ROCK HARD, ROCK ON & HAPPY NEW YEAR, signed TTK.
Shure SM57 SM58 Sennheiser e609 Amp Mic Microphone Peavey Windsor Eminence Private Jack Celestion Greenback BBE supacharger Rico Jr. Vixen Guitar TTK Style Shoot-Out lmsjr
This is an original song I wrote, called "Lost In You", that I recorded live in front of the camera using a Zoom H4 "Handy Recorder" and a Shure SM57 mic. The bass guitar was added later in the studio, as I didn't have a bass on hand when I filmed/recorded this. You can download a free MP3 of this song at www.shaneanthony.net - - - - - - - - - - Here are the lyrics Hold on to me, never let me go I melt when You draw near to me You take me away, to another place It seems from here I'm out of time and space To a place where I am Yours, and You are mine I find shelter in Your arms so divine I'm resting in You, I'm resting in You You take me to another place, and I'm already gone I'm lost in You, You're my hiding place I'm in love with You, You take my breath away There are no words to say, just how I feel about You I get in lost in You The Glorious Son, tells the winter it's through Another season fades away for something new And all that now is, becomes what was And I am found in awe at what Youve done You're the wind beneath my wings, You lift me high And Your mercy touches every morning sky I'm resting in You, I'm resting in You You take me to another place, and I'm already gone I'm lost in You, You're my hiding place I'm in love with You, You take my breath away There are no words to say, just how I feel about You I get in lost in You I know You are, that's where I must be I'm leaping over the edge, leaving all this behind, falling heart first for You Something inside of <b>...</b>
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Link to buy my album: www.alexanderjking.com Just a quick vocal test featuring the Shure SM57 mic that I rented today. The whole thing is completely unrehearsed so there's definitely mistakes but it's not meant to be anything glamorous.
Shure SM57 Vocal Test All In Love Is Fair Stevie Wonder Cover alexn 882
A quick demo of the Bugera 333 amp with a Marshall 1960BV (V30's) recorded with an SM57. Hey folks, thought id stick this up as there doesn't seem to be many clips off the 333 up here, especially not much with EL34's in them. Read below for a little intro as well as some settings. Upon recieving this amp it sucked, so i retubed it with Ruby Tubes EL34's and well, now, all i can say is it friggin rocks. Take a listen and see for yourself. I recorded this with the trusty old Shure SM57. Position was facing just off the centre of cone, about 3 feet back to allow some of the room tone come through. (My room sounds absolutely amazing for such a small space :D) Settings and Signal Chain Below. Clean: Guitar (Ibanez RG370DX) - Compressor - Chorus - Amp. (Delay in loop) Volume - 4 Treble - 8 Mid - 6 Bass - 1 Lead Channel: Guitar - Behringer Tube Overdrive (used as tightener) - Amp. (Delay in loop for the lead) Volume - 4 Treble - 4 Mid - 7 Bass - 6 Gain - 3.5 (Yes....3.5!!) Master Volume at 2 due to being recorded at night :(( (Apologies for sloppy playing...) If anyone is looking for some serious tone, this amp delivers!! Cheers all for watching, and feel free to comment.
The Shure SM57 has long been the industry standard when it comes to dynamic instrument microphones. Things got a little bit crazy in Gearwire Studio when the Audix i5 arrived with massive enough cajones to refer to the SM57 as a "paper champion" before challenging the notorious mic to "put its money where its cartridge is" in a Gearwire shootout. See more on Gearwire.com.
my website: www.technologyreviewsite.com This is a short review of one of the most popular instrumental microphones from Shure - the SM57. This video was recorded using the Canon EOS 550d. Appologies for - The bad lighting making the video look yellow - My "P's" hitting the microphone - No audio samples (WILL BE UP VERY SOON) - Overpowering background music (which I beatboxed by the way!!) If you can I'd really appreciate it if you could subscribe as it really helps me out with getting exposure and getting more gadgets in order to review for you consumers out there :) Thank you.
Shure SM57 Dynamic Microphone Review SM58 Canon EOS 550d technologyreviewsite
Folks - Close your eyes, and figure out which you like best. Comment below! Want to know my opinion? Watch this video : www.youtube.com 12:00 is my opinion. Make sure to read the time-stamps. - 12:00 is my opinion. - 27:00 is a 6 way microphone 'room' shoot-out!! LINKS : ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ CHAT on TheToneKing.com : thetoneking.com FORUM on TheToneKing.com : thetoneking.com FRIEND me on Facebook for behind the scenes stuff : thetoneking.com
Microphone Shoot-Out Shure vs. Blue thetoneking.com Best Gear Reviews Blackstar Eminence Governor Cort CR250 lmsjr
I bought a few Nady SP-5's a long time ago when that was all I could afford. Since then I've bought a few Shure SM57's and the SP-5's sat on the shelf. Today, I remembered how awesome I thought the SP-5 was for the price ($10), so I decided to do a little comparison on a snare drum. I put the mics as close to the same positions and angles as possible. My favorite is an SM57 on top and a SP-5 on bottom. What's yours?
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After a few months of searching, we finally located the footage from the second half of our Blue Encore 100 v Shure SM58 et al shootout. Having already proved its mettle against the venerable SM58 (and the Audix OM2) we pit the Encore 100 against an SM57 to see which yielded the better tones on a cranked half-stack. The Cabinet: a Marshall 1960BX 4x12 loaded with Celestion Gneenbacks. The Amplifier: a Peavey 6505+ all-tube 100-watter. The ref: your very own Owen O'Malley, who remains as biased as ever. He likes the Blue Encore 100 (probably because it's shiny), but that doesn't mean his is the final judgment. Watch this Gearwire mic shootout and make your own call.
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Just testing out my new shure sm57 mic on my snare. I highly suggest this microphone to anyone for anything. It records any instrument with great quality, and does a decent job with vocals aswell. It costs arend $100. The vids a little quiet so turn it up a bit I guess.
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Just randomly testin out my Shure SM57 Mic , i used it to record the whole set. I think the sound's much better then the sound in my other vid ;) I'm playing on a sonor force3000. Snare: Pearl Masters Custom. Hi-Hat: Zildjian Z-Custom; Paiste 201 Ride: Zildjian Z-Custom Crashes: Pasite Alpha (16"); Zildjian ZHT (16"); Stagg DH (16"); Stagg (don't know how it's called ;) 16") Splash: Stagg DH (10") Kick: Tama Iron Kobra. Heads:Remo
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This is an original song I wrote, called "I Enter Into You", that was recorded live in front of the camera using a Zoom H4 "Handy Recorder" and a Shure SM57 mic. My friend's part (Rod Scott) was also recorded using a Zoom H4. I used a Guild Songbird acoustic/electric guitar. Rod used an American Deluxe Telecaster. All the recorded audio files were later mixed in Pro Tools, then re-matched back up with the video. Everything you see is real, recorded live. Be blessed & enjoy! Shane
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Here I compare a fake SM57 to the real thing, along with a sound demo. Send questions here or to workingmanstudios@gmail.com
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The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.
Shure Instrument Microphone Microphones Mic Wired cardioid dynamic live performance reproduction of amplified acoustic instruments recording UK
bought from ebay. put this number into ebay search 110687495476 just got this mic 2 hours ago and from viewing a view online videos looking for reviews stumbled across the amount of fakes going around that I knew nothing about not the first and won't be the last. Sorry for the dodgy camera work my actual camera is in getting repaired and so using my iphone 4
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Quick vid on my current tones. Sorry that the audio is not quite in sync with the video. Im using my Schecter Blackjack ATX with Seymour Duncan Blackouts. Recorded with a Shure SM57.
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This is an original song I wrote, called "In The Arms Of Love", that was recorded live in front of the camera using a Zoom H4 "Handy Recorder" and a Shure SM57 mic. The bass guitar was added later in the studio, as I didn't have a bass on hand when I filmed/recorded this. You can download a free MP3 of the song at shaneanthony.net Here are the lyrics I remember when You came Heaven opened up to me I couldn't offer much I held you close, it's what I could do In the arms of love, In the arms of love I didn't want to let you go And the way you did, it pierced my soul But now I need you more To be the One that holds me close In the arms of love, In the arms of love (2x) Oooh, hold me, just a little bit longer, a little while longer Don't let go of me for just a little bit longer, over & over again Over & over again, over & over again over & over again, hey ya, hey ya Na na na na na na, na na na na na na na na na Hey ya, hey ya Na na na na na na, na na na na na na na na na In the arms of love, In the arms of love, In the arms of love, In the arms of love Oooh Mary, this song's for you And oooh tell me, I know you would have spared Him if you could But heaven knows why, the reason He came, born to die, and I am to blame Heaven knows why, you were the one, chosen to bear God's only Son And I remember the day you went out to meet Him And His mother and brothers were those around Him who believed Him He was a Man on a mission, here for a season If they couldn't see with eyes in <b>...</b>
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Yamaha F310 Acoustic Guitar Radiohead Karma Police Cover Shure SM57 Line 6 POD X3 Live Sony Alpha NEX-5 16mm f/2.8 lens Steinberg Cubase 5 Native Instruments Akoustik Piano Toontrack Superior Drummer 2.0 Trilian Spectrasonic total bass module Nady TCM 1050 Ernie Ball Earthwood...
Yamaha F310 Acoustic Guitar Radiohead Karma Police Cover Shure SM57 Line POD X3 Live Sony Alpha NEX-5 16mm f/2.8 lens Steinberg Cubase Native Instruments Akoustik Piano Toontrack Superior Drummer 2.0 Trilian Spectrasonic total bass module Nady TCM 1050 Ernie Ball Earthwood 11-52 strings Standard tuning Fieldification
I'm doing a test between all the 5 dynamic mics that I own: Shure SM58, Sennheiser e835, Shure SM57, Shure 565SD and Shure 55SH. I'm jamming the same song, All my love in vain by Sonny Boy Williamson II on each take for different mics to keep things constant. I'm also trying to keep my playing consistent throughout. The preamp used was a Samson S Mix, I also use the Zoom H2 as an audio interface to the computer through USB. The harmonica was a Suzuki Manji, Key of C No EQ used, no compression, no effects, no post processing, just straight in and straight out. I did not wear headphones or have sound on my desktop speakers to feed back to me during the recording, so I rely on only the acoustic sound from my voice and harp. I would have no idea how it sounded like until I played it back from the computer. This way I wouldn't be affected by the characteristics of the mic and physically adjust my playing/singing.
Shure SM57 SM58 565SD 55SH Sennheiser e835 Suzuki Manji Harmonica Blues Harp Chicago Microphone Testing Zoom H2 Samson smix Channel Mixer Sonny Boy Williamson II Cross Rice Miller All My Love In Vain Jam Kim Wilson James Cotton Carey Bell John Lee Post War Desk Top Recording Computer Louis Lam
0:15 = Acoustic 1:22 = Pickup 2:40 = Mic 3:57 = Mic and Pickup Someone had asked how this guitar sounds acoustically and I've been wanting to do an experiment like this for a while, so... Here it is. Didn't put much effort into it. I may take this down and try again eventually. The sound in the vid doesn't do the pickup or the guitar justice. Late '30s/Early '40s Supertone Archtop (previously owned by Alvin Youngblood Hart!) Tuned one half step low of Open D (C#G#C#FG#C#) K & K Pure Western Mini Pickup Shure SM57 Mic LRBaggs Para Acoustic DI Crate Limo 50W Portable Amp
Fingerpicking Bottleneck Slide Guitar Country Blues Mississippi Fred mcdowell Alvin Younglbood Hart Supertone Archtop Pure Western Mini Pickup Shure SM57 Mic LRBaggs Para Acoustic DI Crate Limo 50W Portable Amp MSB 76
The reason for this video is not to show my skills ( because i havent played in years an i sound aweful} but it is to show my vintage slingerland red glass sparkle kit recorded with a vintage teac a-4330 reel to reel recorder...I recorded it open and live with 2 shure sm57s. Please give me commments on the sound and my tuning. i did not use a board or any eqing
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Decided to pick up my second Naiant mic, the new XO. Supposed to work great on close miking drums. Wanted to get 3 and start close miking my toms, but got one to test things with, and put it on my snare. Never used an omni mic to close mic a drum before. Per request, the clip starts with just the snare mic solo'ed. This is followed by a groove without and with music, and no effects on the snare track, and ends with the same clips with EQ and compression on the snare track. Some people asked about my prior bass drum shootout why the mics aren't positioned in the same spot, like in most shootouts. My goal wasn't to do a rigorous scientific study to find out which mic sounded best at each particular position (that and I didn't want to damage my most expensive mic, which I just bought, in front of the soundhole)....my goal was to see which mic sounded the best at the spot that each mic sounded best at. You'll notice that especially on this clip. I used an AT 4047 on bass drum, and two RODE NT2-a's for overheads. The bass guitar and keyboards (all played by me) are Direct Injected. I used UAD Pultec-Pro and UAD 1176 on the snare drum channel for effects, in addition to the freeware NoName EQ for a high-pass filter. The music is a short arrangement from a musical I am currently writing (although I could have used a bit more practice on the lead keyboard part). www.imaginative-studios.com
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Just a short video using my JSX amp and Maverick Chaos guitar with Seymour Duncan pickups. I recorded it with an sm57 mic straight into the computer. You might have to turn your speakers up. I'm hopefully getting a pre amp soon to improve the quality of the recording and get the volume to the correct level. Sorry about the poor fps, but the sound is what I wanted to really demonstrate!
Made for www.recording-engineers.com - Upcoming Audio recording forum. We decided to compare ther Shure SM57 and 58 microphones on acoustic guitar. We made the test conditions as fair as possible and no EQ, compression or other effects were added. The same gain levels were used and the same microphone positions were utilised. The clips are (in order): -SM57 directly in front of the sound hole (0:19) -Sm58 directly in front of the sound hole (0:49) -SM57 in front of the sound hole with SM58 on pointed at the 8th fret of the neck, the levels were adjusted to make them equal in volume. (1:19) -SM58 in front of the sound hole with SM57 on pointed at the 8th fret of the neck, the levels were adjusted to make them equal in volume. (1:49) We personally preferred the last recording as it produced a more full tone with a nice top end sparkle. The others all sounded a little thin, dry and generally less pleasing. With a little bit of time spent adjusting the microphone positions, adding some reverb, EQ and and a better guitar, we think that that it could be turned into a very pleasurable sounding guitar tone. The guitar used was a cheap, £50 Falcon FG100N acoustic guitar It's worth noting that the internals of these microphones are identicle, the shape is slightly different but the real difference lies in the grills. Either microphone can be made to sound similar to the other, regardless we thought it'd be a useful comparison for first time microphone buyers. Cheers for watching <b>...</b>
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Lamb of God Riff Random Vocals NO mixing abilities This mic is golden!
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Are you a minuscule person who enjoys the art of the dance? Do you like to hold bearded men? Then perhaps you'll enjoy this Shure SM7B demo. Even if you don't fit the previous description, you'll probably still enjoy it. Owen's got a pretty good singing voice, and he does a fine job of explaining the features and nominal uses for this microphone. See more on Gearwire.com.
En el facebook o en la web siguiente consultar a Marcelo De Artier GRACIAS www.facebook.com www.facebook.com www.artiercomputacion.com Micrófono vocal SM58 El legendario micrófono vocal de Shure está sintonizado para acentuar la calidez y la nitidez de vocalistas principales y coros. Es el micrófono que los artistas de todo el mundo eligen constantemente. El SM58® de Shure es un micrófono dinámico vocal unidireccional (cardioide), diseñado para uso vocal profesional en presentaciones en vivo, grabaciones en estudio y refuerzo de sonido. Un filtro esférico incorporado de gran efectividad reduce significativamente el ruido producido por el viento y la respiración. Un patrón polar cardioide aÃsla la fuente de sonido principal y, al mismo tiempo reduce el ruido de fondo no deseado. El SM58 tiene una respuesta superior de adaptación a las voces para un sonido que es un estándar internacional. Su diseño reforzado, su sistema de montura anti-vibratoria de calidad comprobada, y su rejilla de malla de acero garantizan que el SM58 responderá de manera constante, aun si se le maneja con movimientos bruscos. En lugares cerrados o al aire libre, para cantar o para hablar, el SM58 es definitivamente el preferido de los profesionales. Micrófono para instrumentos SM57 El SM57 de Shure, micrófono dinámico unidireccional (cardioide) es excepcional para la captación de instrumentos musicales y de voces. Con su sonido brillante y nÃtido, y su aumento de presencia cuidadosamente modificado <b>...</b>
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Film ukazuje jak uzyskać potężne brzmienie gitar przy pomocy jednego mikrofonu.
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Teste realizado pela M-Artstudio para verifcar e comparar a resposta/fidelidade dos microfones Shure sm57 (± R$ 600,00) e GPA GM570 (± R$ 50,00) em gravações com guitarra. Nesse teste, usamos a técnica de re-amp para alimentar o amplicador com um mesmo sinal gravado, e apenas trocamos os microfones para a captação e posterior análise. Deixem suas opiniões. M-Artsudio www.m-artstudio.com.br
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astore.amazon.com www.facebook.com noise59.com twitter.com e aqui un video donde muestro el microfono shure sm57 muestro lo que viene en la caja.. y os explico los detalles de el microfono
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This is a drum cover of my favorite band A7X, the song "Almost Easy" from the album "Avenged Sevenfold" Sorry about the video quality is not good, I recorded it by a digital camera only. About the mic picking, I use Samson 7Kit package and a Shure SM57 beta for the snare drum. That is a rough mixing, I am still a beginner to mix drum. The most difficult part for me is the sound of the kick drum. There is more "attack" from Rev, I like it a lot. My equipment list: Kit: Pearl Session Series Drum Kit DDrum 14" x 7" Travis Smith signature model Snare Drum Tama Iron Cobra double pedal Cymbals: Sabian - 10" AAX Splash, 14" Vault Hats 16" AAX Studio Crash , 18" AA Metal-X Crash, 18" AAX Chinese, 20" AA Metal-X Ride Zidjian - 16" A-custom Crash (broken) -Gould www.facebook.com/gouldwu gould810@hotmail.com
Avenged Sevenfold A7X Almost Easy drum cover Gould Zypha Crazimalz 810
Come listen to my band! -- www.myspace.com twitter.com www.myspace.com My name's Devon Steelman and I recorded this at my studio; Steelman Studios. This isn't an EXACT cover, I added some of my own stuff, but not much. Microphones used: Snare Top: Shure SM57 Snare Bottom: Shure SM57 Rack Tom: Shure SM57 Floor Tom: Shure SM57 Floor Tom: Shure SM57 Bass: Shure BETA52 // Audix D4 Overheads: Audix SCX-1 (2) HiHat: Shure SM81 Ride: Shure SM81 Room: CAD Trion 8000 Drums: DDrum Dominion Ash Pocket Rack Tom: 8x12 Floor Tom: 12x14 Floor Tom: 12x16 Bass: 20x20 Snare: DW Edge 6x14
